What Notation Leaves Behind: Microtiming and the Limits of the Score

Hazel Simmons-McDonald

Cloth in Motion: Costume as a Mobile Archive

Barry Vercoe

River Grammar: Flow, Boundary, and Ecological Relation in Romantic Poetic Performance

Marlène Zarader

Answering Across the Phrase: Call and Response in Transcribed Folk Repertoires

Mikhail Maslin

Cuts That Teach the Eye: Montage Rhythm in Public-Domain Silent Film

Jim Masselos

Why Slow Reading Still Matters in Performing-Arts Education

Marguerite Johnson

Repair Without Completion: An Ethics for Fragmentary Historical Narratives

David Cope

Voices in Common: Community Choirs and Civic Belonging

Louann Gerken

Invited, Directed, or Used: Audience Participation and Artistic Authorship

Leslie Epstein

Curating Performance on Screen: Accessibility and Argument in Digital Music and Performing-Arts Exhibitions

Zhang Wei, Aleksey Lidov